Articles and news related to the Brecht and Weill program

Publication : BroadwayWorld
By :
Date : Mar. 03, 2025

Photo by: Jim Rackete

To celebrate revolutionary composer Kurt Weill’s 125th birthday on March 2, acclaimed singer & actress Ute Lemper has released “Mack the Knife,” the new single from her album Pirate Jenny, out April 25 via The Audiophile Society.

Composed by Kurt Weill with the lyrics of Bertolt Brecht in 1928, the song originally appeared in The Threepenny Opera, brimming with satirical critiques of societal injustices and corruption that still resonate today. Lemper embodies the charming yet ruthless criminal Macheath, who evades justice despite his violent actions. In the video, Lemper embodies various personas – the young, the old, the jester, the murderer – running loose in New York City.

Since 1985, from experimental theaters in West Berlin to Carnegie Hall, Lemper has been singing the songs of Jewish composers from the Weimar era, who were banned and persecuted by Nazis. She notes that Brecht and Weill’s works remain as relevant today: “Exotic characters fight for survival, rising from the ashes of racism, disadvantage, and neglect—stories that feel strikingly contemporary.”

Lemper will release more singles from the album, including title track “Pirate Jenny” (a revolt against the ruling party of the rich) from The Threepenny Opera and “Speak Low” from One Touch of Venus – full tracklist below. Sultry vocals and atmospheric beats are brought to life with The Audiophile Society’s immersive Mega-Dimensional Sound™, transporting longtime fans and new listeners alike to a smoky Berlin jazz club outside of time, reminiscent of Lemper’s award-winning roles as Cabaret’s Sally Bowles in Paris and Chicago’s Velma Kelly in New York and London.

“This project is about creating a new audience for Kurt Weill,” says Lemper. “By blending his timeless melodies with a groove. I’m opening the door for younger listeners who might not know his work. It’s about building a bridge between eras, where Weimar meets the club.”

A Billboard Crossover Artist of the Year, Lemper has reimagined icons like Marlene Dietrich (Rendezvous with Marlene is based on a three-hour phone call between Dietrich and Lemper), Edith Piaf and Jacques Brel, alongside more modern collaborations with artists like Tom Waits, Nick Cave, Elvis Costello, and Roger Waters (The Wall: Live in Berlin, 1990).

Lemper will perform some of Weill’s eternal classics live at 54 Below on Tuesday, May 27, and Thursday, May 29 – tickets here.

About Ute Lemper:

Ute Lemper’s decades-long career spans stage, film, and music, with over 30 recordings. Renowned for her interpretations of Berlin Cabaret, Kurt Weill, Brecht, and chanson legends like Marlene Dietrich and Edith Piaf, she has also starred in major musicals across Broadway, the West End, Paris, and Berlin. She won the American Theater World Award and the Laurence Olivier Award for her performance as Chicago’s Velma Kelly in the West End and on Broadway, the Molière Award for her performance as Cabaret’s Sally Bowles in Paris, among others, and earned Grammy nominations.

Her global tours feature diverse projects, including Rendezvous with Marlene, Songs for Eternity, and tributes to Piazzolla and Brecht. She has composed music inspired by Bukowski, Neruda, and Coelho and released a bestselling autobiography in 2023. She released her self-penned and contemporary album Time Traveler just last year. Singing in five languages, she continues to perform worldwide. A longtime New York resident, she lives there with her family and four children.

Read the original article online and listen to the new single here.

Publication:Top40 Charts
Date: 14 February 2025

New York, NY (Top40 Charts) In honor of revolutionary composer Kurt Weill’s 125th birthday this year, acclaimed singer & actress Ute Lemper has announced her new album, Pirate Jenny, out April 25 via The Audiophile Society. Nearly 40 years after her breakthrough album Ute Lemper Sings Kurt Weill, she now presents fresh, electric reimaginings of Weill’s songs, whose critiques of societal injustices and corruption still ring true today.

Her first single “Mack the Knife” will be out on March 2nd, on Weill’s 125th birthday, followed by “Speak Low” from One Touch of Venus and “Pirate Jenny” from his work with Bertolt Brecht on The Threepenny Opera – full tracklist below. Sultry vocals and atmospheric beats are brought to life with The Audiophile Society’s immersive Mega-Dimensional Sound™, transporting longtime fans and new listeners alike to a smoky Berlin jazz club outside of time, reminiscent of Lemper’s award-winning roles as Cabaret’s Sally Bowles in Paris and Chicago’s Velma Kellyin New York and London.

“This project is about creating a new audience for Kurt Weill,” says Lemper. “By blending his timeless melodies with a groove. I’m opening the door for younger listeners who might not know his work. It’s about building a bridge between eras, where Weimar meets the club.”

Lemper will perform some of Weill’s eternal classics live at 54 Below on Tuesday, May 27, and Thursday, May 29 – tickets here.

A Billboard Crossover Artist of the Year, Lemper has reimagined icons like Marlene Dietrich (Rendezvous with Marlene is based on a three-hour phone call between Dietrich and Lemper), Edith Piaf and Jacques Brel, alongside more modern collaborations with artists like Tom Waits, Nick Cave, Elvis Costello, and RogerWaters (The Wall: Live in Berlin, 1990).

Pirate Jenny isn’t just a revival—it’s a reinvention. Whether you’re a fan of cabaret, a lover of jazz, or someone who lives for groove, this album promises a fresh perspective on music that has shaped generations.

Track List:

Mack the Knife
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Threepenny Opera
English adaptation by Marc Blitzstein

Speak Low
Lyrics: Ogden Nash / Music: Kurt Weill
One Touch of Venus

Surabaya Johnny
Lyrics: Bertolt Brecht / Music: Kurt Weill
Happy End
English adaptation by Marc Blitzstein

My Ship
Lyrics: Ira Gershwin / Music: Kurt Weill
Lady in the Dark

Pirate Jenny
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Threepenny Opera
English adaptation by Marc Blitzstein

Le Grand Lustucru
Lyrics: Jacques Deval / Music: Kurt Weill
Marie Galante

Ballade vom Ertrunkenen Mädchen
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Flight of Lindbergh

The Salomon Song
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Threepenny Opera

Ute Lemper’s decades-long career spans stage, film, and music, with over 30 recordings. Renowned for her interpretations of Berlin Cabaret, Kurt Weill, Brecht, and chanson legends like Marlene Dietrich and Edith Piaf, she has also starred in major musicals across Broadway, the West End, Paris, and Berlin. She won the American Theater World Award and the Laurence Olivier Award for her performance as Chicago’s Velma Kelly in the West End and on Broadway, the Molière Award for her performance as Cabaret’s Sally Bowles in Paris, among others, and earned Grammy nominations.

Her global tours feature diverse projects, including Rendezvous with Marlene, Songs for Eternity, and tributes to Piazzolla and Brecht. She has composed music inspired by Bukowski, Neruda, and Coelho and released a bestselling autobiography in 2023. She released her self-penned and contemporary album Time Traveler just last year. Singing in five languages, she continues to perform worldwide. A longtime New York resident, she lives there with her family and four children.

Click here to read the article on Top40 Charts site.

Publication: Broadway World
By: 
Date: Feb. 13, 2025


Photo Credit: Jim Rackete

Her first single “Mack the Knife” will be out on March 2nd, on Weill’s 125th birthday.

In honor of revolutionary composer Kurt Weill’s 125th birthday this year, acclaimed singer & actress Ute Lemper has announced her new album, Pirate Jenny, out April 25 via The Audiophile Society. Nearly 40 years after her breakthrough album Ute Lemper Sings Kurt Weill, she now presents fresh, electric reimaginings of Weill’s songs, whose critiques of societal injustices and corruption still ring true today.

Her first single “Mack the Knife” will be out on March 2nd, on Weill’s 125th birthday, followed by “Speak Low” from One Touch of Venus and “Pirate Jenny” from his work with Bertolt Brecht on The Threepenny Opera – full tracklist below. Sultry vocals and atmospheric beats are brought to life with The Audiophile Society’s immersive Mega-Dimensional Sound™, transporting longtime fans and new listeners alike to a smoky Berlin jazz club outside of time, reminiscent of Lemper’s award-winning roles as Cabaret’s Sally Bowles in Paris and Chicago’s Velma Kelly in New York and London.

“This project is about creating a new audience for Kurt Weill,” says Lemper. “By blending his timeless melodies with a groove. I’m opening the door for younger listeners who might not know his work. It’s about building a bridge between eras, where Weimar meets the club.”

Lemper will perform some of Weill’s eternal classics live at 54 Below on Tuesday, May 27, and Thursday, May 29 – tickets here.

A Billboard Crossover Artist of the Year, Lemper has reimagined icons like Marlene Dietrich (Rendezvous with Marlene is based on a three-hour phone call between Dietrich and Lemper), Edith Piaf and Jacques Brel, alongside more modern collaborations with artists like Tom Waits, Nick Cave, Elvis Costello, and Roger Waters (The Wall: Live in Berlin, 1990).

Pirate Jenny isn’t just a revival—it’s a reinvention. Whether you’re a fan of cabaret, a lover of jazz, or someone who lives for groove, this album promises a fresh perspective on music that has shaped generations.

Track List

Mack the Knife
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Threepenny Opera
English adaptation by Marc Blitzstein

Speak Low
Lyrics: Ogden Nash / Music: Kurt Weill
One Touch of Venus

Surabaya Johnny
Lyrics: Bertolt Brecht / Music: Kurt Weill
Happy End
English adaptation by Marc Blitzstein

My Ship
Lyrics: Ira Gershwin / Music: Kurt Weill
Lady in the Dark

Pirate Jenny
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Threepenny Opera
English adaptation by Marc Blitzstein

Le Grand Lustucru
Lyrics: Jacques Deval / Music: Kurt Weill
Marie Galante

Ballade vom Ertrunkenen Mädchen
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Flight of Lindbergh

The Salomon Song
Lyrics: Bertolt Brecht / Music: Kurt Weill
The Threepenny Opera

About Ute Lemper:

Ute Lemper’s decades-long career spans stage, film, and music, with over 30 recordings. Renowned for her interpretations of Berlin Cabaret, Kurt Weill, Brecht, and chanson legends like Marlene Dietrich and Edith Piaf, she has also starred in major musicals across Broadway, the West End, Paris, and Berlin. She won the American Theater World Award and the Laurence Olivier Award for her performance as Chicago’s Velma Kelly in the West End and on Broadway, the Molière Award for her performance as Cabaret’s Sally Bowles in Paris, among others, and earned Grammy nominations.

Her global tours feature diverse projects, including Rendezvous with Marlene, Songs for Eternity, and tributes to Piazzolla and Brecht. She has composed music inspired by Bukowski, Neruda, and Coelho and released a bestselling autobiography in 2023. She released her self-penned and contemporary album Time Traveler just last year. Singing in five languages, she continues to perform worldwide. A longtime New York resident, she lives there with her family and four children.

Click here to read the article on Broadway World’s site

 

Publication: Broadway World
By:
Date: December 13, 2024

Legendary cabaret artist Ute Lemper brought Kurt Weill’s works to vibrant contemporary life at Joe’s Pub, celebrating his upcoming 125th birthday.

For over four decades, Ute Lemper has stood as arguably the definitive interpreter of Kurt Weill’s music, combining fierce artistic integrity with a deep understanding of the historical and cultural forces that shaped his work. Her commitment to preserving and reimagining Weill’s legacy began in 1980s Berlin, where her groundbreaking recordings helped revive interest in his music. On November 26 and 29, anticipating Weill’s 125th birthday in 2025, Lemper brought decades of insight to Joe’s Pub, demonstrating why she remains unmatched in her ability to make these historic works speak to contemporary audiences.

Lemper transformed Joe’s Pub into something between a Weimar cabaret and a historical salon, creating an intimate evening that was equal parts performance, history lesson, and political commentary. Opening with “Pirate Jenny” from The Threepenny Opera, she immediately established the evening’s central tension between past and present. “I’m looking around and I’m not happy. Something is not right with this world,” she declared, before diving into a scathing critique of privilege that connected Weimar-era concerns to contemporary anxieties. Her interpretation moved fluidly between German and English, her delivery transforming from eerie grace to controlled fury as Jenny imagines violent revenge against her oppressors.

Lemper’s genius lies in her ability to make historical context feel urgently relevant. “Welcome to Weimar,” she announced, rattling off prices in millions of marks for basic necessities, including ”350 million paper marks for a loaf of bread,” drawing explicit parallels to modern inflation and democratic instability. Her reference to Hitler’s 1924 trial, noting how “he was so convincing he almost put the republic on trial,” landed with chilling resonance. “The Saga of Jenny” became a masterclass in temporal dialogue. Lemper transformed what could be a simple cautionary tale about female decisiveness into a nuanced exploration of agency and consequences. Her delivery of lines about Jenny’s memoirs causing wives to shoot their husbands created a complex commentary on female empowerment and its backlash.

The evening traced Weill’s artistic evolution through three crucial periods: Weimar Germany, Paris exile, and finally America. Lemper captured the dark irony of “Army Song,” while her interpretation of “Youkali,” written during Weill’s sojourn in Paris, combined dream and lament. Her voice carried both hope and pathos in lines that translate to “It’s a dream, a folly / There’s no such place as Youkali,” making the utopian vision feel impossible yet necessary.

Her command of the diseuse style — emphasizing dramatic delivery while maintaining musical sensibilities — particularly shone in songs like “Stranger Here Myself,” where Venus’s bewilderment at modern conventions becomes both comedy and social commentary. The performer’s interaction with the audience was masterful, asking for language preferences, and incorporating an audience member into the action. When discussing how Weill “started to call himself Kurt Weill” (with American pronunciation) in the United States, she touched on themes of immigration and reinvention that resonated powerfully with current debates.

After 40 years of performing this music, Lemper proves herself not just a performer but a crucial cultural translator. Her achievement lies in showing how Weill’s music, born from specific historical circumstances, transcends its moment to address universal themes of justice, love, and human dignity. In her hands, these songs might as well have been written for today.

Learn more about Ute Lemper and where to follow her at www.utelemper.com

See more upcoming shows at Joe’s Pub on their website.

Click here to read this article on Broadway World’s site.