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Publication: The JW Vibe
By: Jonathan Widran
Date: July 15, 2023

On “Time Traveler,” the dreamy and deeply soulful, downtempo yet vocally dramatic title track from Ute Lemper’s eclectic new album, the veteran German born, NYC based singer/songwriter shares some whimsical, hopeful news – that in these dark times, even through the rain, she’s here to save us, returning from the future, offering us a bridge to someplace better. Considering her vast history as a musical theatre performer and recording artist of classic international repertoire, it’s exciting to see her not only showcasing her vast chops as a multi-genre vocalist and songwriter, but so determined to look ahead rather than rest on her laurels. (See below for the visually stunning cutting-edge video that uses AI to explore time travel and evolution).

Though listeners unfamiliar with that background could surely enjoy the rich emotional intimacy of her voice as she fashions a unique stylistic journey that finds her exploring pop, neo-soul, jazz and alternative R&B vibes, her legendary history worth recounting, if only to showcase how her remarkable artistry interpreting the genius of others has perhaps inspired her own evolution as a self-contained singer/songwriter working amidst the dynamic sonic landscapes of her creative partner Todd Turkisher.

After joining the jazz rock group Panama Drive Band at 16, she graduated from the Dance Academy in Cologne and the Max Reinhardt Seminary Drama School in Vienna. Starting in the Viennese cast of Cats, her theatre credits in Europe and on Broadway include title or key roles in Peter Pan, The Blue Angel, Cabaret and Chicago, in addition to dubbing voices for Disney projects like The Little Mermaid for German recordings. Later named Billboard’s Crossover Artist of the Year for 1993-94, Lemper’s discography includes acclaimed interpretations of Kurt Weill compositions, German cabaret songs, a tribute to Marlene Dietrich and Edith Piaf, pop albums in English, French and German, contribution to a Sondheim tribute project and an album (Punishing Kiss) featuring songs written for her by Scott Walker, Nick Cave, Tom Waits, Elvis Costello and others.

Almost as if the world needed it now rather than at the turn of the century, the aptly titled Time Traveler emerged from a chance discovery in 2021 of tapes featuring tracks she had written and recorded two decades ago in her partner’s studio. Finding these recordings again inspired Lemper to reflect on her history, embrace the younger self she heard and, most importantly, compose new songs from the perspective of a human being and artist who had experienced two decades more of life. Most cleverly, to keep us wondering and invite us to immerse deeper into the grand material in these ten exquisitely produced tracks, the promo materials don’t tell us which songs are from which era – only that “she shares her feelings about her path, reflecting on joys, regrets, wisdom, longings and their fulfillment.”

No matter, as the alternating purring sensuality and chaotic vocal intensity on the jazzy, atmospheric “In My Flame” is as timeless and passionately rendered as the funky/jazzy pop-R&B torchiness of the defiant “Moving On,” the seductive mystery of “Magical Stone” and the graceful, spacious, soprano sax sweetened whimsy of “At The Reservoir,” a tribute to her favorite refreshing spot in Central Park. Because it seems crafted as a thematic follow up to “Little Face,” a track on her 2002 album But One Day…, there’s a possible early 2000s time stamp on the lushly arranged, classical-tinged “Little Face – the Sequel.” But even with that, it’s deliciously unknowable speculation.

The listener gets a generous glimpse of Lemper’s sophisticated international coolness on the hypnotic and sweeping French language ballad “Envie D’Amour” before she wraps the wondrous time traveling with the vocally urgent, richly harmonic, old-school soul-jazz flavored “Cry in the Dark” and the gorgeous reflective closing ballad “The Gift,” which features some of Lemper’s most dynamic vocal runs balanced by hushed intimacy. Hopefully, the time traveling she does in the future will grace us with more vibrant originals like these.

Click here to read the review on JW Vibe

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Publication: Amazon.com
By: Editorial staff
Date: June, 2023

With Time Traveler Ute Lemper accomplishes the unusual feat that, for listeners, the 23 years which lie between the individual songs aren’t obvious at all. The present in the past and the past in the present merge as if by osmosis. With her new album, Ute Lemper emancipates herself musically from all categories. Depending on socialization and personal preferences one can hear these songs as pop, rock, jazz, soul or chanson, all of these at once, or simply just as Ute Lemper. She is no longer ready to live up to any expectations, but rather draws inspiration from songs that she herself enjoys listening to. This includes references to artists and bands like Hiatus Kaiyote, John Legend, Joni Mitchell, Sarah McLachlan, Annie Lennox, Erykah Badu or Robert Glasper but without attempting to copy any of them. All songs are one hundred percent Ute Lemper. In some pieces she takes risks in terms of production and sound, initially luring the listener onto a completely wrong path, such as in the title track; in others she conceals small surprising details in the production, putting the songs, herself and not least of all the auditory perception to the test over and over again. Time Traveler is a very personal album, but its message extends far beyond Ute’s own life experience. With Time Traveler, Ute Lemper has given a wonderful gift to herself. And yet, first and foremost, it is an album that functions like a signpost. In the unsparing self-honesty with which, in a most accessible way, Ute Lemper reflects on her life, it’s possible for most listeners to find themselves as well.

Also available is Ute Lemper’s fantastic tribute to Marlene Dietrich Ute Lemper – Rendezvous With Marlene SKU: JHAU186 Format: CD UPC: 4260075861869 Street Date: 05/22/20

Click here to see the review online and buy your copy of Time Traveler.

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Publication: AllMusic.com
By: Thom Jurek
Date: June 2023


In 2000, singer Ute Lemper released Punishing Kiss, a collection written for her by contemporary songsmiths including Nick Cave, Elvis Costello, Neil Hannon, Tom Waits, Kathleen Brennan, and Scott Walker. Deeply inspired by the album and its tour, she felt she could begin composing her own tunes. In (future husband) Todd Turkisher’s New York recording studio, she wrote on paper, composed music on a piano, and committed her ideas to analog tape. Though some originals appeared on 2002’s But One Day…, the balance were relegated to her in-laws’ basement. She composed more material for 2008’s Between Yesterday and Tomorrow, but none of those early songs were included.

The source tapes were rediscovered on a shelf in 2021 alongside a backup cassette copy; Turkisherand Lemper restored and digitized them. She realized that some selections were simply too dated to rework, while others held enough of a contemporary spark for reinvention. The couple’s production tweaks included juxtaposing bits of her youthful voice with lyrics re-sung by the artist atop modern grooves. Seized by an impulse to write, she again began scratching on paper, then composing at the piano. Time Traveler’s title track was the first song to emerge in what is ultimately a musical encounter between a mature artist and her younger self.

The title track is a breezy exercise in contemporary jazz framed by casually strummed wah-wah electric guitars, drum kit, keyboards, and piano. Lemper’s phrasing is clean and soft, in an unhurried delivery content to dwell in the spaces between. Meanwhile, she reveals to herself that it’s not only the world that’s changing around us, as time alters us too. The waltz tempo buoying “In My Flame” is elegant, graceful, and deliberately imprecise rhythmically. The lyric juxtaposes present and future with a bittersweet instructive vision of the past. “Moving On” melds pop, blues, and jazz in a pianistic paean to the moment. The spectral, mysterious, luxuriant melody in “Magical Stone” recalls Kate Bush‘s harmonic formalism, though Lemper’s sung phrasing is resonant with her own signature vocal phrasing and playing style. Sung in French, “Envie d’Amour” weds sheeny, multi-textured electro-acoustic pop to inspired nouveau chanson. “Cry in the Dark” evolves from minimal, Rhodes- and guitar-driven jazz to shimmering, sophisticated, sensual pop. The set closes with “The Gift,” a transcendent ballad illustrated by piano, muted brass, and guitars. The protagonist’s journey through the confusion of her inner and outer opacity eventually introduces an open space in her heart where light appears, first in small shards. As confusion lessens, so does doubt, and possibility whispers itself into being. The future, informed by all of these stages, looms hopeful and attainable.

Time Traveler is a consciously constructed song cycle that not only reveals a dialogue between the contemporary artist and her younger self but reveals to the listener the wonder, empathy, and tenderness experienced by both parties.

Click here to see this review and more on AllMusic.